This short introduction appeared in the #5/2010 (PSYchitectures) issue of Arhitext magazine
Like a machine that copies its own images, re-producing realities, architecture seems to find support in the intensive character of images, becoming image proliferation, ”sale” of architectural bodies in ”the open field”, ”at sight” of the city. ”On this side” of the silence that [...]
This short introduction appeared in the #5/2010 (PSYchitectures) issue of Arhitext magazine
It seems as if we’re increasingly faced with a logic of visibility that uses violence against visibility, thus contributing to the areality of the ordinary. Each time it hides or hides itself, architecture becomes a ”specular apparatus” behind which we’re given many times to [...]
This short introduction appeared in the #5/2010 (PSYchitectures) issue of Arhitext magazine
Architecture seems to feed more and more efficiently a psychotropic, psychoactive city, a city which is hallucinogenic and stimulative at the same time, mood stabilizer that feeds our expanded bipolar conditions, causing a multitude of perceptive and behavioral changes, creating formal dependency either to [...]
This short introduction appeared in the #5/2010 (PSYchitectures) issue of Arhitext magazine
”On that side” of the language that discovers silence, architecture can contribute however, precisely because it draws down the potential mediums to become real, to an understanding of man’s experience, but constantly lurked by the risk of speculating upon the chance, the peril, the [...]
This editorial appeared in the #06 (196)/2009 (Sequences for Architectural Cinematics) issue of Arhitext magazine (pp. 44-45)
We’re haunted by the question how sequentiality generates virtualities, how its update depends on the beholder or on the operator of the sequential montage. Or we are left to question the reason why sequentiality depends more and more on [...]
This article and project presentation appeared in the #06 (196)/2009 (Sequences for Architectural Cinematics) issue of Arhitext magazine (pp. 46-49)
The Dairy House project appears as an intervention meant to emphasize the natural extension of an existing structure. Yet therewith it question the relation between sequence and transparency, the relation between material interchanges and the discreetly-transparent [...]
Digihumanoid Assemblage is a very short visual about the digital re-synthetization of man, the assemblage of man out of digital elements, and the peril of digital over-charge.
Full visual available here – http://www.vimeo.com/12509132
Music: Nize5ive & Pitch N Sulphur – The Cell (Collective Rec., 2008), used here for non-commercial purposes.
© 2010, Sabin Bors
Tristes Dystropiques is a short movie/visual approach displayed as a dystopic scenery. Tristes Tropi…
Anti-Code is the first visual I ever made. It is a short visual about the way digital elements e…
Public Space. (Con)textual (Ex)position – an exhibition by Sabin Bors for the Arhitexturi 2010 Fe…
